Turn Your Attention to Yourself, 2017

Preparatory drawing after Movement in Squares, Bridget Riley, 1961

Squid ink, activated charcoal powder, kohl pencil, whitening toothpaste, crushed calcium tablets, milk powder and pencil on paper

exhibition view: Portrait (for a screenplay) of Beth Harmon, Tenderpixel, London, 2017 (curated by Tamsin Clark and Sean Edwards) 

exhibition view: Portrait (for a screenplay) of Beth Harmon, Tenderpixel, London, 2017 (curated by Tamsin Clark and Sean Edwards) 

Shoes for Beth Harmon, 2017

unfired, hand modelled flax fibre clay (grogged body), zips

exhibition view: Portrait (for a screenplay) of Beth Harmon, Tenderpixel, London, 2017 (curated by Tamsin Clark and Sean Edwards) 

exhibition view: Portrait (for a screenplay) of Beth Harmon, Tenderpixel, London, 2017 (curated by Tamsin Clark and Sean Edwards) 

 © 2020 Madeleine Pledge