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Portrait (for a screenplay) of Beth Harmon
curated by Tamsin Clark and Sean Edwards
Tenderpixel, London
2017
Turn Your Attention to Yourself, 2017
Preparatory drawing after Movement in Squares, Bridget Riley, 1961
Squid ink, activated charcoal powder, kohl pencil, whitening toothpaste, crushed calcium tablets, milk powder and pencil on paper
exhibition view
Shoes for Beth Harmon, 2017
unfired, hand modelled flax fibre clay (grogged body), zips
exhibition view
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